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N ///K new solo performance "Wind and pores organ sound"

Period

2019/2/14 (Thu) 〜2019/2/15 (Fri)

Venue

Za-Koenji Temple 2

Ticket Fee

General: 3500 Yen
students: 2800 yen (all seats reserved, tax incl.)

+ Ticketing Fee



Detailed Information

Performance content Starts talking, as innumerable pores and organs of breathing pores in the body to the breathing

film lost the comb had organ pieces and hand
free



OKUNO Miwa
dancer and choreographer. ///K Director of the N. 3-year-old began the modern ballet, and entrance to Daito Bunka University in 2002, belong to the dance club. 2009 began a solo career and performs choreography theme body was dismantled to be free of the activities at home and abroad. At Yokohama dance collection EX2013? q young choreographer for Japan France Embassy Awards q q MASDANZA Award", in the same year, international, contemporary dance in competition MASDANZA18 (Spain)"jury prize" Award-winning. 2017 at the Tokyo University of the arts art advanced art expression University Master's degree.
Performances Homepage https://www.miwaokuno.com/keana/
Appearance EMI Koyama and ikumi kurosu / Haruka Suzuki / Nagaya koutaro / Matsuo Nozomu
Staff Concept, direction, art and costumes: OKUNO Miwa / music: Fujishiro, Yohei
Schedule <Period>
2019/2/14 (Thu) 〜2019/2/15 (Fri)


<Schedule>
2/14 (Thursday) 19:00
2/15 (Friday) 16:00
* opening is the concert begins 15 minutes before.
Ticket Fee General: 3500 Yen
students: 2800 yen (all seats reserved, tax incl.)

+ Ticketing Fee
Venue Za-Koenji Temple 2
Remarks
Organizations Overview Be as activist delicate feeling of society and every environmental problem exists (= cancer and viruses), as N ///K
natural-killer cells has become the creative driving force. Conduct activities anywhere treat material physical and bodily expressions dance works approved during the performance, especially in films, physical installations, etc. 4/2017-A.S.P(artist support program operated by studio ARCHITANZ for 3/2019) of lives and works in receiving domestic and international support. Ever 'Artificial' (Fran?ais-Francais, Tokyo, 2014), "REAL CONTROLLER? q real controller?" (Yokohama BankART, 2016), physical installations "( See) body abandoned "(2017)," Namelessness-without body-"(d-warehouse, 2017) announced.

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