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Springman The Four Brother Reiwas of bento ya

Period

2020/1/31 (Fri) 〜2020/2/2 (Sun)

Venue

Kichijoji Theater

Ticket Fee

All seats reserved (advance): 4,500 yen (including tax)

+ Ticketing Fee



Detailed Information

Performance content

Six months after the popular "Sakurada Family Story".
In January 2020, "The Four Brothers of the Bentoya - Reiwa Two-Year Edition- " is here.
Springman's strengths are "overwhelmingly realistic lines" and "the feeling of peeking into everyday life."
"The Four Brothers of bentoya" is a masterpiece of Springman who sharply exploits the trivial problems of the modern family and dense human relations.
We will further enhance the popular work and perform it at Kichijoji Theater.



"The Four Brothers of the Bentoya" was A masterpiece by Springman and was performed twice.
Move the stage to Kichijoji Theater and add people and episodes that were not drawn.
We welcome new actors and build the world of "the four brothers of the bento shop" of the Reiwa samurai era.



A small long-established bento shop in Setagaya's shopping district.
I lost my parents early and I managed to live hard with my four brothers.
The shop is filled with the eldest son who succeeded the third generation at a young age.
My second son works at an overseas branch of a major electronics manufacturer.
The third son does not work, does not help the shop, and lives a sloppy and degenerate life every day.
The fourth son spends his days busy doing freeters.
The eldest son of the parent substitute was only uneasy about the future of the third son.

The story of the brothers of Reiwa whose four brothers and the people around them change a little.

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Please refrain from purchasing tickets by resale or resale.
Please understand in advance.

For stand flowers and arranged flowers, please contact the production department because there is a limit to the size of the theater lobby.

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Web Reservation
http://confetti-web.com/bentohya4

There is no membership fee or annual membership fee.
Credit card payment is possible.
.

Phone Reservation
0120-240-540 (Weekdays 10:00-18:00)

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Please prepare a note so that you will receive your payment slip number at the time of booking.
Credit card payment is possible.
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Performances Homepage https://springman-net.jimdo.com
Appearance Akihisa Nichinanda ? Kento Takeshita ??? Group Patch? ? Shuto Seki ? Yuji Kubo ? Akiyama Kaoru ? Mount Urao ? Keita Muto ? Haruka Kimura ? Kotaro Sasayama ? Otake Coco?? Katsuto bk? Shunpei Fujinami ? I wonder if it's a good thing?? F-emotion appearance? Guest appearance? Shogo Kano, Daiki Yabayashi
Staff Script/Director? Kohei Kajitani ? Stage Director + Stage Art? Takeshi Hongo ? Lighting? Kazue Tanaka ? Acoustic? Yu Takeda ? Propaganda art? Yoshihiko Shimura?? NIR DESIGN WORKS? A promotional photo? konn ? Production? Akihito Ide ♂ Kosuke Hee ? Planning and production? Springman ? Cooperation? 81プロデュース縲<Gクリュ縲#?リプロ THE NEXT縲′?団東俳縲#o協縲≠ユろだくしょんバオバブ縲<wリンボーン縲<克噬bク縲<純^ナベエンターテインメント縲?敬称略/五十音順)
Schedule <Period>
2020/1/31 (Fri) 〜2020/2/2 (Sun)


<Schedule>
January 31 (Fri) 14:00 start [Kano]
January 31 (Friday) 19:00 start [Kano]
Saturday, February 1 1st 14:00 start [Kano]
February 1 (Saturday) 19:00 start [Kobayashi]
February 2 (Sun) 12:00 p.m. start [Kobayashi]
February 2 (Sun) 17:00 start [Kobayashi]

Doors open 30 minutes ago
Ticket Fee All seats reserved (advance): 4,500 yen (including tax)

+ Ticketing Fee
Venue Kichijoji Theater
Remarks
Organizations Overview "From Micro to Macro"

"From small relationship to big emotional change" is the project theme, and the production type unit of the style that invites the performers for each performance.

Realistic and lyrical style woven by Kohei Kajitani, the leader, screenwriter, and director. The story progresses in the offbeat air, focusing on the changes in human emotions that occur in micro-settings and the changes in human relationships.

Based on the world view that seems to have cut through the everyday as it is, carefully draw the distance between the small problems and the mind of the present real, giving a macro emotion change to the mind of the audience.

A wide range of audiences are also attractive.

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