演劇やクラシックのチケット情報満載.Confetti(カンフェティ)トップページへ

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P Company Kyogawara-cho Shijo Kami-Ooya Nikai -Dream, of the young people at the end of the Edo period.

Period

2020/3/4 (Wed) 〜2020/3/8 (Sun)

Venue

Tokyo Metropolitan Theatre Theatre West

Ticket Fee

All seats reserved (advance sale): 6,000 yen
All seats reserved (senior discount): 5,000 yen
All seats reserved (student discount): 1,500 yen<quot>1,000 yen discount! All seats reserved (advance): 6,000 yen - Campet seats (advance sales): 5,000 yen! br />(including tax)

+ Ticketing Fee



Detailed Information

Performance content The structure of the play is that on the day that Ryoma Sakamoto and Shintaro Nakaoka were attacked on the second floor of Omiya in Shijo Kawara-cho, Kyoto on November 15, 19, Kyoto, while the attackers attacked and passed away, Ryoma and Shintaro thought, talked, discussed, dreamed, and may be just dreams or imaginations of guides to live in the present day.
I want to proceed with the progress of this dream according to the day of November 15, Keio 3, but I am sorry only by it. The guide goes against time and calls out the dead. For example, is it the Case of the Twenty-Three Noneyama men that occurred between the tosa clan's superiors and the lower officers? Shintaro's ambition is the crying voice of the baby in the year of the earthquake, the disaster, and famine of Ansei. Satsuma and Choshu are national hatred, but can Tosa overcome the old and deep hatred of <上士対下士> since Sekigahara? No, do you know now that you have a grudge and hatred that you can't overcome?
The subject is the question "Can a person forgive a person?" It is a long old commitment of the author, and perhaps Ryoma and Shintaro's commitment might not be far from it.
Ryoma and Shintaro whisper. "Hope?" Bonds? I can't see what's right there. But isn't it the support of the one that you and I are here now? Oh, we're always an<途中> another. 」
Performances Homepage http://p-company.la.coocan.jp/
Appearance Hiroaki Hirata ? Yoshiki Hayashi ? Yukari Hayano ? Masaaki Maeda ? Yoko Kanze ? Yoshihiko Nagao ? Yuki Nishida ? Kentaro Matsuda ? Ryoji Yamamoto ? Yuji Ichikawa ? Tomohisa Miyagawa ? Ryoma Uchida ? Makoto Tsujigai ? Genjiro Mori ? Mari Kimura ? Kenji Yoshioka ? Aiko Kimura ? Hiroshi Igarashi ? Kenta Yamada ? Masatoshi Okuno ? Mio Hosokawa ? Tachibanako Tatenao ? Haruka Akita ? Mamoru Kondo
Staff Written and directed? Yoshiyuki Fukuda ? Art? Mitsuru Ishii ? Lighting? Seiji Moriwaki ? Acoustic? Mihoko Fujihira ? Music? Tetsuhide Hidaka ? Costume? Yoko Hirono ? Conduct? Nishinoya Nishikawa ? Choreography? Mitsuko Watanabe ? Swordfight? Ryuji Kikuchi ? Director's assistant? Issei Aida ? Stage director? Kenji Oshima ? Production? Nobuko Matsui
Schedule <Period>
2020/3/4 (Wed) 〜2020/3/8 (Sun)


<Schedule>
Wednesday, March 4th 19:00
Thursday, March 5, 19:00
Friday, March 6, 13:00
Saturday, March 7, 13:00/18:00<>>>Sunday, March 8, 13:00>
Ticket Fee All seats reserved (advance sale): 6,000 yen
All seats reserved (senior discount): 5,000 yen
All seats reserved (student discount): 1,500 yen<quot>1,000 yen discount! All seats reserved (advance): 6,000 yen - Campet seats (advance sales): 5,000 yen! br />(including tax)

+ Ticketing Fee
Venue Tokyo Metropolitan Theatre Theatre West
Remarks
Organizations Overview In 2008, the actors and staff belonging to the Kiyama Office (the late Kiyoshi Kiyama) were established. He is performing old works and new works by Yoshiyuki Fukuda, Masataka Matsuda, Tomoe Ato, Kaoru Takemoto, and Burning Ishihara, focusing on the works of The Besa. While exploring the possibilities of the theatrical culture of "small theater", I hope to be a team that throws a small but brilliant stone into the chaotic theater world, with the creation of theater with an eye on the world and the times.
"P" is play performance produce progressive professional prime popular pure passion school protest peace... P Company is a set of "P" that each member draws.

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