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Edo-machi Tou toGeigaku Festival Executive Committee The stage of the body which talks all at once from the beginning to the avenging Play space "All-stage kana Temoto Chushingura" [Taito-ku people discount]

Period

2020/1/29 (Wed) 〜2020/2/2 (Sun)

Venue

Asakusa Miban

Ticket Fee

[Taito-ku people discount]
All seats reserved: 3,500 yen
(all seats free and tax included)

Please contact
[Confetti Ticket Center: 0120-240-540].
+ Ticketing Fee

Only by phone: [Confetti Ticket Center: 0120-240-540]

About How to Buy



Detailed Information

Performance content Reservations for ★ tickets will be accepted by phone only.

300 years or more japanese love human drama "Kana Temoto Chushingura". This 10-hour blockbuster was condensed into three hours and reorganized as a contemporary theater that took advantage of the goodness of the classics. By developing with modern rhythm, both speed and density are achieved. It focuses on the human pattern, which is the most attractive part of the work, and is said by the viewer that it is easier to understand than Kabuki and that the whole story was understood for the first time. This is the seventh time since the performance at the 2012 Kiba Pass, and the venue will be moved to Asakusa Viewing, and the venue will be scaled up and challenged. Stay tuned!

<>[event details]
[Kana de Honchushingura]

Ako-ken Also known as "Chushingura". It is a story depicting a human drama in which the lives of many groups of followers, parents and children, husband and wife, and brothers are tossed around in order to avenge the lord who was forced to accept unreasonable death. It is a kabuki blockbuster that extends to all eleven stages, originally born from the hit work of the doll Joruri though it is well known in the television program and the movie at the end of the year.

[Highlights]
(1) Human pattern drawn more finely than the TV version
This time play space plays "kana temoto Chushinzo" faithfully reproduces the original. Therefore, the characters familiar on TV appear little by little with different names. Because, the Ako incident which became a motif is a big scandal in Edo. At the time, they were unable to deal directly with the incident, so they changed their names and settings to the actual ones. By paying attention to the difference, you can enjoy even the background of the era at that time.

In addition, the storyline is a little different from TV. The charm of the original is, after all, the "human pattern". Not only the avenge side but also the feelings of the side facing it are drawn in real detail, and it makes up the fun as one group image play.

(2) A dense script that takes advantage of the original charm of a play
Originally, "Kana Temoto Chushingura" is a super-epic with all ten steps. You need to be prepared to spend a whole day to see through. However, the play space version "Kana Temoto Chushingura" is performed in all three hours while the depth of the contents remains intact, and the main characters also appear. What makes this possible is the omission of style expressions found in kabuki and Bunraku, and speedy development centered on stories.

Therefore, even kabuki performances can not be seen. "This is the real climax," says Mr. Enomoto, who is more dramatic than television and kabuki, focusing on "a man who has to avenge, a man who has created the cause, and a sub-story leading to the children's love of both families is torn apart."

(3) Expressing the charm of classics in the current rhythm
There are many people who shy away from seeing classical performing arts as "because it is difficult to say" I would like to recommend this work to such a person. The strength of the play space is contemporary theater, which is revived as a work loved by the times, taking advantage of the excellent points of traditional theater. In this edition of "Kana Temoto Chushingura", I use the words of the classics through the whole story, but thanks to the speedy development and a sense of modern rhythm, the meaning comes in quickly. Even if it is an unfamiliar word, even the sound that should be sleeping at the base of the Japanese should even feel comfortable.

[About play space]
1988. Kenichi Enomoto, the host. In 2001, "Sonezaki Shinchu", a Komatsumon Zaemon of the Ekoda Storehouse-affiliated performance, was invited to perform in Seoul, while challenging east-west plays such as another role, Shakespeare, and Lorca, as well as avant-garde works such as Ionesco, Beckett, and Masamune Shiratori. Due to the battle of the central actress and the early death, he has been suspended for three and a half years since 2002. In 2005, after resuming his activities with Kazukazu Waai's "Everything Is Born from Everything and Everything Is A Shell," he worked on the "Poetry x Drama" series, which explores collaboration between contemporary poetry and theater. There are also many stages such as classical performing arts and rakugo. In 2012, he received a lot of attention for his ambitious performances of "Kana Temoto Chushingura" throughout the stage.
br />[Workshop Announcement]
Special Workshop "Kana Temoto Chushingura Trial Reading"
Date: Thursday, January 30, 13:00-17:00: Asakusa Miban
Members: 30 people
Participation fee: 2000 yen (1000 yen for the kana Temoto Chushingura theater)
Inside: Performers change casts and talk about their work, talk one step by one self, participants try to experience, etc. We will delve into the charm of "Kana Temoto Chushingura" from a different angle from this performance.
br />Please fill in the "Name and phone number" in the "Chushingura WS" body in the subject line of "participation application
info@yugikukan".com (play space)." The reservation is completed with a reply.
Performances Homepage http://www.taitogeirakusai.com/winter2019/program5/
Appearance Ume???haru Sasaki Danmin-an? Hakuri Manzo ? Morihiko Uchiyama ? Nakayoshiyo ? ??? Jun Watanabe Dan-Actors? S???eiichi Kawano Dandaiki? Nagaosai ? Kyohei Kusano ? Hiroo Ohno??? Danmin-an? ??? fumiya Kawashima Dangong? Yoko Kanze ? Mana Jimbo ? Yoko Hagino??? Danseiza? Mina???ko Furuta Danto performance? Minami Shindo???? Yaju + Frankens? ??? Aoki Danjin? Miuki Ogata ? Kenichi Enomoto?? V play space?
Staff Work? Namiki Muneyoshi , Ta Izumo-tei CO Yoshimatsu-an ? Composition and directing? Kenichi Enomoto ? Music playing? Nobuhiro Wakatsuki?? Se-Tsuzumi? Lehachi?
Schedule <Period>
2020/1/29 (Wed) 〜2020/2/2 (Sun)


<Schedule>
January 29 (Wed) 14:00
Friday, January 31 14:00
02/01 (Sat) 14:00
Sunday, February 02 14:00
Open 30 minutes before the start.
Ticket Fee [Taito-ku people discount]
All seats reserved: 3,500 yen
(all seats free and tax included)

Please contact
[Confetti Ticket Center: 0120-240-540].
+ Ticketing Fee
Venue Asakusa Miban
Remarks Preschool children are not allowed to enter.
Organizations Overview

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