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Amayadori Amayadori Rainy Weather Decisions Season6 "Wet" / "Joshi" / "Windmill Baby"

Period

2020/10/14 (Wed) `2020/10/25 (Sun)

Venue

Theater-style Hanade

Ticket Fee

š"
General: 3,800 yen
Student: 2,500 yen
High school students and below: 1,000 yen


"Windmill Baby"
gt;General: 3,300 yen
Student: 2,000 yen
High school students and below: 1,000 yen

3 performance set ticket 9000 yen
Please make a reservation for the first performance day.
We will send you an e-mail asking you about the rest of the performances from the Amayadori Production Department after purchase.

(all seats reserved and tax included)

+ Ticketing Fee



Detailed Information

Performance content [This is the real rainy weather]
br />

Thank you very much, it is Hirota of the head of Amayadori. How are you doing in the harsh social situation as usual?@Since this performance was lost in May of this year, Amayadori has finally recovered to the stage of announcing the next performance while being stunned and calm.

"Windmill Baby" is the second one-man play by Hayaka Nakamura in five years, "Wetinu" and "Joshi" are my own work that I have done many times, but I thought I'll make something like a final version here. That's why I set up three. I'll do it in the fall. If you feel like you can come to see it, please come and see it!@We are waiting for you while praying, wishing, and practicing so that we can perform as well!


Amayadori President Junichi Hirota
Performances Homepage http://amayadori.co.jp/
Appearance [Wet]? Watanabe Keisuke, Tata Hoshima, ˆ๊? K ‘ๅ’ Hi Yu prayer child Hobayuri -%s Kura Yuka?ko katsu ? [Joshi]? Aiba or ‘ Triko ? Windmill Baby Hayaka Nakamura
Staff [Production and direction]? Yuichi Hirota [Literary assistant]? Yusuke Inatomi [Stage director]? Koichiro Tokura [Stage art]? Tomomi Nakamura [Lighting]? Asako Miura [Director assistant]? Nomura Haruka - H-ˆ - Rika Hagiwara ? [Production]? Mitakaya Hana?? Sono ไŒ - Art Creation Organization SAI? [Production supplement]? Masayoshi Nishioka [Producer]? Daisuke Kitagawa [Assistant Producer]? Atsushi Nishimura ? [Planning and production]? Amayadori [Sponsored]? Planple CO., K.K. [Subsidy]? Ale to the Arts and Culture Promotion Fund u Art! Tokyo Project" X-Tage type? [Supported]? Embassy of Australia [Cooperation]? Riveras Co., Ltd., -Team Co., Ltd. (nfini-i-shares) MC Planning Co., Ltd.
Schedule ƒPeriod„
2020/10/14 (Wed) `2020/10/25 (Sun)


ƒSchedule„
š "Wet" - "Joshi" - "Windmill Baby"
>>October 14 (Wed) 19:30š
October 15 (Thu) 19:30 />Friday, October 16 19:30
Saturday, October 17 11:00 a.m. / 3:00 p.m. / 7:30 p.mš
Sunday, October 18 12:00 a.m./16:00š
Monday, October 19, 7:30 p.mš
Tuesday, October 20, 11:00š/15:00 :00
Wednesday, October 21 15:00š/20:00 -
Thursday, October 22 15:00š/20:00 10/23 (Friday) 19:30š
Saturday, October 24 11:00š/15:00
Sunday, October 25, 12:00š/16:00š

Ticket Fee š"
General: 3,800 yen
Student: 2,500 yen
High school students and below: 1,000 yen


"Windmill Baby"
gt;General: 3,300 yen
Student: 2,000 yen
High school students and below: 1,000 yen

3 performance set ticket 9000 yen
Please make a reservation for the first performance day.
We will send you an e-mail asking you about the rest of the performances from the Amayadori Production Department after purchase.

(all seats reserved and tax included)

+ Ticketing Fee
Venue Theater-style Hanade
Remarks
Organizations Overview Formed in 2001 as "Hyotoko Ranbu". In 2011, he called it a "great bombing" and started again in 2012 when he changed his name to "Amayadori."
br />br />>
A "variable play language" that deals with every word of mouth to serica, empathy and individualization With "free physicality" as the main axis of his activities, he pursues stage expression as "orderly chaos" by making full use of rhythm, speed, logic, passion, malice, and Irony.
br />br />>
Last year, in his second year as "Amayadori," he established a corporation (joint company planple) and opened the "studio cavity" as Neshiro. In an attempt to re-play Hirota's plays and work on classical plays at that location, he started the mini-performance "Rainy Weather Decision" series. As parallel to this performance held in a theater of 200 seats, we secured a place to work steadily in a very small space. In 2014, he served as a media company for theater-style Hanade, and strengthened its cooperative relationship with theaters in a variety of ways. He also set the annual theme of "evil and freedom" and tried to create premieres and re-performances.
br />br />>
We've always wanted the audience to enjoy and be moved through theater. I have believed that theater can turn a lonely soul, like being left alone in space, into a "connection" while remaining lonely. I believe in that today as well, and I'm going to continue theater.



Host, work, director Yuichi Hirota

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