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New National Theatre 2020/2021 Season Opera Marriage of Figaro

Period

2021/2/7 (Sun) 〜2021/2/14 (Sun)

Venue

New National Theatre Opera Palace

Ticket Fee

S seats: 22,000 yen
A seats: 16,500 yen
B seats: 11,000 yen
(all seats reserved, tax included)
<</><</"Visitor Card"<<><Please fill in and submit in advance.
*Efforts to prevent the spread of covid-19 and asking visitors to < (Be sure to read)

+ Ticketing Fee



Detailed Information

Performance content 【About the Invited Cast of Figaro】

2020/12/28/2020 The following invited cast members will no be allowed to perform. For this reason, the performers will be changed as follows.
Countess: Serena Gamberoni → Chikako Ohsumi
Figaro: Filippo Morace → Dario Solari
*Vito Priante, Countess of Almaviva, enters Japan and is waiting for 14 days to participate in rehearsals.

There will be no ticket refunds for this performer change. We appreciate your understanding.
There is a possibility that it will be forced to change or discontinue in the future due to the infection situation and the request of the government, etc.
The latest information will be announced at any time on the website, etc., so thank you very much.

January 8, 2021> lt;br />New National Theatre

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Opera The Marriage of Figaro/Wolfgang Amadeus Mozart
Le Nozze di Figaro/ Wolfgang Amadeus MOZART
All 4 Acts with Italian/Japanese and English Subtitles〉

The Turmoil That Will Occur In The Wake of Marriage! Mozart's most famous masterpiece,
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Mozart's enduring masterpiece, which is a life of turmoil over the marriage of the Count's servant Figaro and his lover Susannah. It begins with a light overture that is often played alone, followed by famous songs that make you want to say "What is love?" (Cherubino), "I'm not going to fly ane now, these butterflies" (Figaro), "God of love, hold your hand,"Where are the fun memories" (Countess).

Homoki, one of the best opera directors of our time, brings pure humanity to life as the characters move around the monotone stage inexmerablely, gradually removing social order. It is highly valued as a stage of unparalleled perfection, and it is a production that has gained popularity as one of the signboard performances of the New National Theater. In addition to inviting singers from Preante, Gamberoni, Morache and Italy, ai Usuki, who played a difficult role in the lovely voice and emotional expression that is well-established in "Shion Story", appeared in the leading role of Italian opera with Rossini and Mozart, and Aya Wakizono, who also captivated the audience with her outstanding vocal expression and open acting in "Don Giovanni". Ryunori Numajiri, one of the most elite operas in Japan, re-entered the New National Theater. It is a face that I look forward to the exchange of the stop.

Mori
[Act 1] Armaviva Earl's Servito Figaro and Susanna are on the way to marriage. However, the count is aiming at Susannah, and the head of the woman Marcelina is aiming for the marriage to Figaro with the testimony of the debt. When the peasant Cherubino speaks to Susannah about his love for the Countess, the countess comes and hides in a hurry. When the Count approaches Susannah, Don Bazilio comes, and the Count hides in great panic. The countess appears angrily as The Bagilio says that Cerbino was sending a hot glance at the Countess. The Earl ordered Cherubino to join the army.

[Act 2] Countess lamenting that her husband's love has cooled. Figaro tells the Countess and Susannah that she will punish the Count by transvestiteing Chervino. The countess hurriedly hides Cherubino in the costume room because the count came to the room at the moment when it became only Cherubino and two people to try to dress immediately. The countess, who suspects his mistress is lurking, opens the door after pressing and answering with the Countess. Then there was Susannah, and the Countess and Countess were stunned. This time Marcellina appealed to him to marry Figaro as contracted, and it was a big mess.

[Act 3] In a trial over debt, Figaro was found to be the child of Marcelina and Bartolo. The three rejoice in the reunion of their parents and children. The Countess and Susanna plan to exchange costumes and meet men. Figaro, Susanna, Marcelina and Bartolo's wedding was held, during which Susanna handed the count a letter of invitation.

[Act 4] Night. The count meets Susannah, but he doesn't realize that the contents are countesses at all. The countess gets angry when he sees Figaro talk to the Countess, but is dumbfounded to find that the two women had been replaced. The count admits the non-and becomes a large group circle.
Performances Homepage https://www.nntt.jac.go.jp/opera/lenozzedifigaro/
Appearance Count Almaviva? Vito Priante ? Countess? Serena Gamberoni → Chikako Ohsumi ? Figaro? Filippo Morace → Dario Solari ? Susanna? Ai Usuki ? Cherubino? Aya Wakizono ? Marcelina? Setsuko Takemoto ? Baltoro? Hidekazu Wifeya ? Bazilio? Hideyuki Aoji ? Don Curzio? Shuhei Itoga ? Antonio? Mitsuya Okubo ? Barbarina? Keiko Yoshihara ? Two daughters? Mari Iwamoto 縲 ¥A Akiko Sakebe ? Chorus? New National Theatre Choir ? Orchestra? Tokyo Symphony Orchestra
Staff Command? Ryunori Numajiri ? Directing? Andreas Homoki ? Art? Frank Philip Schlesman ? Costume? Mechthilt Zypel ? Lighting? Frank Evan
Schedule <Period>
2021/2/7 (Sun) 〜2021/2/14 (Sun)


<Schedule>
Sunday, February 07 14:00
Tuesday, February 09 18:30
Thursday, February 11 14:00
Gt;Sunday, February 14 14:00

※Scheduled performance time: About 3 hours and 15 minutes (including break)
※If it changes significantly, we will guide you again at a later date. Please check the display just before the opening of the show for the official performance time.
※The lobby opens 60 minutes before the start, and the audience opens 45 minutes before the start. Admission after the performance will be restricted.
※School groups will be included on Sunday, February 14.
※In order to prevent the spread of covid-19, childcare services and backstage tours will be suspended for the time being.

◇Please cooperate with dispersed visitors to alleviate congestion for the purpose of preventing the spread of covid-19.
Depending on the floor of your seat, we recommend that you come at the following times.
2,3,4F Customers:Up to 30 minutes before start
1st floor customers:30 minutes before start to 15 minutes before start
Ticket Fee S seats: 22,000 yen
A seats: 16,500 yen
B seats: 11,000 yen
(all seats reserved, tax included)
<</><</"Visitor Card"<<><Please fill in and submit in advance.
*Efforts to prevent the spread of covid-19 and asking visitors to < (Be sure to read)

+ Ticketing Fee
Venue New National Theatre Opera Palace
Remarks * Based on the lifestyle of the new era that has taken measures to prevent the spread of the new coronavirus infection, we will change a part of the production and perform it.
※Invited cast members and conductors are subject to change depending on the circumstances of immigration restrictions.

※In order to maintain an appropriate distance to prevent infection, we will not sell seats in rows 1 to 3 on the first floor.
※We plan to sell in normal seating arrangements (excluding rows 1 to 3 on the first floor).
※If there is a change in the event capacity limit at the judgment of the government and the Tokyo Metropolitan Government, ticket sales may be suspended on the way.

※Please refrain from bringing or entering preschool children. Children are also required to purchase one ticket per person.
※It may be difficult to see the stage and subtitles on the wall, near the handrail, on the balcony, and in some seats on the upper floor. Please understand.
※Depending on the performance date and seat type, it may not be available.
*Tickets will not be changed or refunded except for those who have canceled performances and are subject to the New National Theatre's Guidelines for the Prevention of The Spread of Covid-19.
※Performers may be changed due to unsying circumstances. Please understand in advance.

※If you are in a wheelchair, please contact the box office.
[New National Theatre Box Office] 03-5352-9999
*Box office window opening hours are click here.
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