演劇やクラシックのチケット情報満載.Confetti(カンフェティ)トップページへ

Translated by Microsoft Translator API

メインチラシ画像

チラシ画像サムネイル1

チラシ画像サムネイル2


YOU-PROJECT Solitude<Loneliness> One-Man Drama Series YOU-PROJECT 22nd Concert "Guruguru-countless traces-" Sakura no Mori Hen

Period

2022/9/18 (Sun) 〜2022/9/19 (Mon)

Venue

Hirakata Municipal Kusunoba Lifelong Learning Civic Center Large Meeting Room

Ticket Fee

Adults 2,000 yen
University students 1500 yen
junior high and high school students 500 yen
elementary school students and under free (must be accompanied by a guardian)
troupe support ticket 5,000 yen *
* A theater company support ticket is a ticket that supports a theater company at the difference from the general fare.
1,000 yen discount! General 2,000 yen → confetti seats 1,000 yen!
(all seats unreserved, tax included)

★WEB reservation / telephone reservation Either <★/font>
Telephone reservation: 0120-240-540*Toll Free
(Reception hours Weekdays 10:00 to 18:00 *Operator support)


+ Ticketing Fee



Detailed Information

Performance content YOU-PROJECT 22nd Performance
Solitude One-Man Theater Series
"Guruguru ? Countless traces&#8212;" Sakura no Mori Hen

By: Yuu Kusuki (from Atsushi Kuda's "Hospitalization Memo")
Director: Yu Matsuura Cast: Atsushi Kuruda (Theater Company Fuyubusha)

"Guruguru, Tekukuku. Come around, go around, walk. "

There is an actor sitting alone in a place like the rehearsal hall of the theater company. He starts to "preliminate" whether it is time for the show to start, and suddenly starts to play Serebryakov in Chekhov's "Uncle Vanya" or to the audience about his hardships during his hospitalization. He walks around talking, acting. Round and round, round and round...

Written and directed by
"The unthinkable happens to everyone at any time"
actually deals with "death". However, instead of feeling that pretentious, I want to depict a way of life and struggle that is different from the usual resignation of "accepting death" or "everyone will die in the end."
"death" is still absurd. I think it's just a stretch to be like, "I'm tired of living forever." When I'm doing theater, I strongly feel that I want to create a better work. What? Do you only have time for this? That's a lie! It's funny, I feel that way. If someone starts something new by saying, "I'm just going to die," or if someone tries not to know something new, I'd say, "That's different." Just because it's
doesn't mean it's coming to the forefront, which is what's interesting about this piece. Unlike film, the fact that you can't completely specify what you want to see is the limit of theater, and it's also the beauty of infinitely expanding the way each person receives it. This work is something that each member of the audience has created in their heads.

Cast: Atsushi Kumada (Fuyubusha, Theater Company)
Kyoto City student. Representative and actor of the theater company Fuyubudsha (on hiatus). Started activities from the theater company Kyoto Small Theater. After the theater company Chaos, we went to Winter Budsa . Based in Kyoto, he has worked on the Kansai stage. He taught from the 1st to the 16th period of the Fuyubudsha Actor Class, and also worked hard to nurture future generations, such as former lecturer at the Broadcasting Arts College and Osaka Animation School ('95 &#12316; '16). Even after the suspension of theater company activities, he continued to perform alone in other theater companies to the present.

characters
actor who suffered from voice problems after hospitalization and surgery. He is currently in the theater performing a play based on Chekhov's short story "On the Harm of Cigarettes." He has a wife, an older sister, and is in some dispute over land with his son, his nephew. My daughter lives far away, but she is not estranged, and when she was in the hospital, she came to visit me, so she is not so lonely. He often quotes haiku poems by
Ozaki Hiroya and Kobayashi Issa and has a deep knowledge of the Bible. He has played a variety of roles, including Shakespeare, Chekhov and Brecht, with a variety of utterances. We are reading aloud a picture book written by a playwright artist who is currently performing called "Sakura no Mori no Sakura Mamoru" at children's halls and other places.
Performances Homepage http://you-project.com/
Appearance Mr. Atsushi Tada??? Dan Winter Buds?
Staff Work? Kusukiyu ? Directing? Yu Matsuura ? Stage manager? Tomohiko Watagawa ? Illumination? Ryoji Hirose ? Sound? Kunito Kitsuka ? Performing art? A.Shida × T.M. ? Clothing? Naomi M.
Schedule <Period>
2022/9/18 (Sun) 〜2022/9/19 (Mon)


<Schedule>
Sunday, September 18, 2022 15:30 Start
Mon, 19, 2022 Start
(Doors open 20 minutes before the show, performance time 40 minutes)
Ticket Fee Adults 2,000 yen
University students 1500 yen
junior high and high school students 500 yen
elementary school students and under free (must be accompanied by a guardian)
troupe support ticket 5,000 yen *
* A theater company support ticket is a ticket that supports a theater company at the difference from the general fare.
1,000 yen discount! General 2,000 yen → confetti seats 1,000 yen!
(all seats unreserved, tax included)

★WEB reservation / telephone reservation Either <★/font>
Telephone reservation: 0120-240-540*Toll Free
(Reception hours Weekdays 10:00 to 18:00 *Operator support)


+ Ticketing Fee
Venue Hirakata Municipal Kusunoba Lifelong Learning Civic Center Large Meeting Room
Remarks
Organizations Overview Established in 2000. Based on the belief that "theater exists there," we aim to create works that acquire a new perspective by connecting theater with everyday life, rather than unrelated activities in some distant place. The flag-raising performance "Half" was written down by zatsuke writer Kusukiyo and re-performed in 2006. It was made into a novel in 2012 (published by Bungeisha). Director Yu Matsuura, who has also worked on the reconstruction of classic plays such as "Juliet Capulet" and "Uncle Vanya!" was selected as the second judge of the Young Directors Competition sponsored by the Association of Directors in 2004 and 2005. In 2013, he won the Yamaki Prize in the Guifo Washi Competition for The Man on the Bridge. In the first stage of the 2019 Toga Theater Contest, "In front of the Greenhouse" (written by Kunishi Kishida) was described as "the most accurate expression of the world of the work."

ページトップへ