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Studio Life "Toma's Heart" [Published in the September issue of Confetti]

Period

2022/9/15 (Thu) `2022/9/25 (Sun)

Venue

Theatre Sun Mall

Ticket Fee

limited to 24 people! General 8,500 yen (all seats reserved, tax included) จ [Reserved seat voucher] 6,800 yen In addition200p get!

tickets here are valid for [Telephone reservations] Also available.
Confetti Ticket Center
0120-240-540
(weekdays 10:00-18:00)
+ Ticketing Fee



Detailed Information

Performance content ABOUT

œIn the performance of "Toma's Heart" Jun Kurata

"The Heart of Toma" was published in 1974 and continues to be read and loved even now. Studio Life of the
Theater Company has performed many times since it was first staged in 1996. Every time we rehearse, there are new discoveries, and every time we perform, we feel that we are led to a deeper abyss. It also teaches us the importance of facing the work with sincerity. I think it is no exaggeration to say that "Toma's Heart" is the bible of the theater company Studio Life.

tells the story of boys set in the Schlotter-Betts Institute, a gymnasium in Germany, and their boarding houses. A refreshing sensibility and a painful degree of purity intersect in one corner of the library, in a corner of the chapel, under the high windows of the dormitory. Yuri, a dark-haired honor student, Oscar with a complicated family background, and Erik, whose love for her beautiful mother is everything, they meet, are hurt, forgive, and open the door to the next future. This autumn, which will be the 10th time the performance will be performed, I would like to carefully and carefully unfold this beautiful and deep story on the stage.


œThe Treasure of "Studio Life" July 1, 2022 Mochito Hagio

I heard that "Studio Life" will perform "Heart of Toma" again. I haven't seen the 1996 premiere, but I've seen it since the 1997 re-enactment. The stage changes with each performance, and I have seen the actors grow. Step by step, I felt that the director Jun Kurata carefully nurtured the stage. Patience and love. Expectation and love. I have seen the process by which Jun Kurata's creation comes to fruition toward something beautiful.

When the music of Kiichiro Kawachi's music begins to flow on stage, you will be drawn into the gymnasium of "Toma" at once. A lot of actors come to mind. Nobuo Kodama, Hiroki Fukayama, and Ken Oikawa, who played Erik at the time of the premiere. Kaiji Sosei played a variety of roles in each performance, but I will never forget the role of the inclusive Bacchus. Mountain? A friend of mine told me that Koichi's Ulysses Mall looked like a cartoon to the angle of his standing legs. Yoshiki Yamamoto's Ulysses Mall was in tears as she hugged the book. The thin visuals of Hiroo Kasahara really made me wonder if there really was an Oscar. Keiichi Sawa, who plays the whip-wielding Saifried, is very colorful, but when he changes scenes, he moves the bookshelves in the library and does the back of the room. Koji Ishitobi and Yusuke Hayashi, who play the roles of Ledovi, were smug when they talked about their memories of Toma. Kiichiro Kawachi plays Toma's father, and it reminds me of the smile on stage. Hideka Narahara played
Sid, and Keiji Fujiwara played Principal M?ller. The students of the school and the family of Ulysse Mall. That tall rock in "The Visitor" in the extra episode "Heart of Toma"? Dai-san played Chibi's Oscar. I will never forget the strange color of Masahiko Kai, who played Gustav. Takatoshi Aoki, Hirokazu Sekido, Tsutomu Okuda, Shinya Matsumoto, many scenes come to mind. Toru Kuramoto. Every scene is a treasure. Thank you to all the actors.

Mr. Kurata, I am always moved by the stage that will remain in my heart. I always say thank you and good work at the launch after the performance, but I am more grateful than I can put it into words. It is my great pleasure to be able to encounter "Studio Life", and the enthusiasm and sincerity of the staff and actors involved in the stage is an encouragement every day.
Looking forward to "The Heart of Toma" which will be performed from September. I think you will be taken again to the analog world of the 1960s and 70s, where students still smoked stylishly and steam locomotives were running somewhere, to the world of Germany, where my favorite Hesse was somewhere.
years go by. But even if everything is gone, the memories will remain. Along with the "Studio Life" so far, I would like to cherish the stage in September and make it a treasure.
Performances Homepage http://www.studio-life.com/stage/thoma2022/
Appearance Legende? Yoshiki Yamamoto??? [Li?Em?Š}Hiroo Hara?? I Scar? Emma?  Shimoto Shinya?? G-Lik? Emma? ‰F Teru Sami?? A-Nte? Emma? $Tsugi Takatoshi?? Furious H-Vi? EME?‘D Toshinshi?? o Cus? EME?‘] Sekaiji?? T Ifrith? Emma? Š Hirokazu Yoto?? W Leberto? EME?‘O Kentaro Ki?? Kaji[be?‰ใ?‹terrible?hita?? C Goo? Emma? %่Œe G‰ภ?? ush? Emma? ˆKiyoyuki Noto?? V-Ellie? Emma?  suke? aya?? G Lisa? Emma?  suke? aya?? V-Wultz? Emma? %่Œe G‰ภ?? Buy F Renaar? EME?‘ Koji Koji?? A-Dale? Emma? “ก Keiji Hara?? ~Principal Chuller? ? Cool? Takatoshi Aoki??? [Li?‰ใ?‘] Sekaiji?? I Scar? Emma? Š Hirokazu Yoto?? G-Lik? Emma? ˆKiyoyuki Noto?? A-Nte? Emma? ‹CR Motoyoshi?? Furious H-Vi? Emma?  suke? aya?? o Cus? Emma? Š }Hiroo Hara?? T Ifrith? Emma?  Shimoto Shinya?? W Leberto? EME?‘O Kentaro Ki?? Kaji[be?‰ใ?‹terrible?hita?? C Goo? Emma? %่Œe G‰ภ?? ush? Emma? ‰F Teru Sami?? V-Ellie? EME?‘ Koji Koji?? G Lisa? EME?‘D Toshinshi?? V-Wultz? Emma? %่Œe G‰ภ?? Buy F Renaar? EME?‘ Koji Koji?? A-Dale? Emma? “ก Keiji Hara?? ~Principal Chuller?
Staff Original? Mochito Hagio ? Writer and director? Jun Kurata
Schedule ƒPeriod„
2022/9/15 (Thu) `2022/9/25 (Sun)


ƒSchedule„
*Eligible Performances
September 15 (Thu) 19:00[L]™
September 16 (Fri) 19:00[C]™
September 17 (Sat) 18:00[C]
September 18 (Sun) 18:00[L]
September 19 (Mon, holiday) 13:00[C]
09/20 (Tue) 19:00[L]š
4 people each 24 people

*Doors open 45 minutes before the start of the performance, and audience seats open 30 minutes before the show.

[L]=Legende team [C]=Cool team
™=There is a "stage greeting" after the end
š=There is a "talk show" after the end
=There is a "photo session" after the performance

[Note]
* The performers differ depending on the performance. [Official website] before purchasing.
Ticket Fee limited to 24 people! General 8,500 yen (all seats reserved, tax included) จ [Reserved seat voucher] 6,800 yen In addition200p get!

tickets here are valid for [Telephone reservations] Also available.
Confetti Ticket Center
0120-240-540
(weekdays 10:00-18:00)
+ Ticketing Fee
Venue Theatre Sun Mall
Remarks yReserved seat voucherzOn the day of
, please exchange it for a seat ticket at the reception from 45 minutes before the start of the performance.
joint seating may not be available. Thank you for your understanding.

*Theater Sun Mall has a theater in the basement and there is no elevator. Passengers who plan to visit the venue in a wheelchair or who have difficulty using the stairs should always consult us in advance.
TEL:03-5942-5067 (Weekdays 12:00-18:00)
Mail:ticket@studio-life.com (only available on weekdays)


*Private language during the performance and acts that cause inconvenience to customers around you, Please refrain from any actions that interfere with the performance.
* During the performance, please turn off smartphones, mobile phones, alarms and other devices that emit sound. In addition, please refrain from making noise, so we ask for your cooperation.
* Photography, video shooting, audio recording, telephone calls, etc. using cameras and mobile phones in the venue are strictly prohibited.
* In order not to inconvenience customers sitting behind or near the neighbor, please cooperate in removing headgears that block the view such as hats in the venue.
* Eating and drinking in the audience is prohibited.
Organizations Overview

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