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Actors' Theatre dialogue

Period

2023/2/10 (Fri) 〜2023/2/24 (Fri)

Venue

Actor's Theatre Studio

Ticket Fee

General: 5,500 yen, Students: 3,850 yen, High school students and younger 2,500 yen
Seniors (65 years old and over): 5,000 yen
1,000 yen discount! 5,500 yen → confetti seat 4,500 yen!
(all seats reserved, tax included)
*Only from 10th to 12th, special discount rate for general and seniors: 4,500 yen (tax included)

* Only WEB reservations will be accepted.
There is no telephone reception at the confetti ticket center.


【GETTIIS sales】* Move to another site. GETTIIS [New member registration (free)] of
is required in advance.
*Different from confetti members.

+ Ticketing Fee



Detailed Information

Performance content ========================================================
《Limited to those who purchase tickets at confetti! 》
[Hajime Mori, Junko Yamamoto, Jun Saito, Go Yayanagi] Special interview (3 parts in total) Published in Confetti Web Magazine !

full of backstories that can only be heard here!


January 5 (Thursday) 2023 Purchases: vol.1 to
January 19 (Thursday) Purchases made up to vol.2 to
February 2 (Thursday) Purchases made up to vol.3

* Limited to those who purchase on the web (payment is completed)
*Interviewees and delivery dates and times are subject to change.
Member My Page The viewing password will be delivered to those who have set "Send Email" to "Allow".
==========================================================


mediator Jack Manning is working on the restoration of a case that has already been concluded, between the family of the perpetrator and the parents of the victim's family, the case is rape and murder. Seven people attended: Scott's mother and her brother and sister, a former therapist and the victim's family.><

Set in Australia, the second installment of the "Jack Manning" series, following the well-received "Face to Face" (2021), which illuminates "restorative justice" that is not yet familiar in Japan!>
Performances Homepage https://haiyuza.net/
Appearance
Staff
Schedule <Period>
2023/2/10 (Fri) 〜2023/2/24 (Fri)


<Schedule>
2/10 (Friday) 19:00
2/11 (Saturday / holiday) 14:00
2/12 (Sunday) 14:00
2/13 (Monday) 19:00 Director: Moriichi pre-talk (from 15 minutes before the start)
2/14 (Tuesday) 13:00 After talk (about 20 minutes after the performance)
2/15 (Wednesday) 13:00 After talk (about 20 minutes after the performance)
2/16 (Thursday) 19:00
2/18 (Saturday) 14:00
2/19 (Sunday) 14:00
20/20 (Monday) 13:00 Backstage event (about 20 minutes after the performance)
2/21 (Tuesday) 19:00
2/22 (Wednesday) 19:00
2/23 (Thursday / holiday) 13:00
24 (Friday) 13:00

* Doors open 45 minutes before the start.
Ticket Fee General: 5,500 yen, Students: 3,850 yen, High school students and younger 2,500 yen
Seniors (65 years old and over): 5,000 yen
1,000 yen discount! 5,500 yen → confetti seat 4,500 yen!
(all seats reserved, tax included)
*Only from 10th to 12th, special discount rate for general and seniors: 4,500 yen (tax included)

* Only WEB reservations will be accepted.
There is no telephone reception at the confetti ticket center.


【GETTIIS sales】* Move to another site. GETTIIS [New member registration (free)] of
is required in advance.
*Different from confetti members.

+ Ticketing Fee
Venue Actor's Theatre Studio
Remarks
Organizations Overview Since its founding in 1944, the theater company Actors' Theater has been working on the creation and dissemination of theater every day by looking at human beings from multiple angles, delving deeply into the absurdity of living, and confronting the proposition of "who is human" through the actors' bodies, with the philosophy of founding members Koreya Senda and Eijiro Higashino in mind. In the 78 years since
, we have actively incorporated new writers, directors, and works that embody the breath of the times, and have continued to work on a wide range of fields. We continue to follow the right path of theater with high ideals, and we are active mainly in stage theater production. There are many classical, translated and contemporary plays produced through theater production. In addition to carrying on a long-standing and precious tradition, we have actively introduced new blood into it to reinvent ourselves. In recent years, in addition to the performances of large and medium theaters that have been held so far, we have expanded our activities beyond relying solely on the goodwill of long-established theater companies in the diversifying theater world, such as studio performances and lab performances using the rehearsal hall in Roppongi as a small theater space, and creating works that participate in overseas theater festivals.

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