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Komatsu 147th Concert "Flowers in the Dark"

Period

2023/8/4 (Fri) 〜2023/8/30 (Wed)

Venue

Kinokuniya Southern Theater TAKASHIMAYA

Ticket Fee

General: 10,000 yen
(all seats reserved, tax included)

This ticket is [Telephone reservation] are also available.
confetti ticket center0120-240-540(Weekdays 10:00~18:00)

first-come, first-served basisCustomers who purchase
★ first-come, first-served first-served advance will be able to pick up their tickets at the Seven-Eleven cash register from 10:00 a.m. on
Saturday, May 13.
+ Ticketing Fee

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Detailed Information

Performance content Komatsuza 147th Performance
The second installment of the
Showa Commoner Trilogy that depicts the lives of the common people before and after the Pacific War!
(1st "Shining Constellation" 3rd "Snow and Konkon")
"Flowers in the Dark"

The summer of Japan that has not been rebuilt after the war
burn
He reminds us of memories and responsibilities to be passed on to the future

[Introduction]
"Flowers in the Dark" premiered in 1987 as the second installment of the Showa Folk Biography trilogy (the first was "Shining Constellations" and the third was "Snow and Konkon"), and has been performed again in '89, '99, '01, '08, and '12. In particular, immediately after the premiere, director Tamiya Kuriyama went to London for a one-year Agency for Cultural Affairs artist study abroad and returned to Japan to work on a re-performance of the play in '89, which was a turning point for the director. The theme of questioning war responsibility as
Japan can be said to be an issue from Hisashi Inoue that should be reconsidered for the generation that has never experienced war today. This work teaches us something that Japan people have lost from the story that unfolds around "memory" and the image of ordinary people desperately surviving the chaos of the postwar period, and the somewhat nostalgic guitar tone that colors the entire story should reaffirm the significance of experiencing it in the "life" that has been estranged by the recent corona disaster.

[Synopsis]
was in 1947, the second summer since the defeat of the war. The setting is Kanda, and the shrine that was burned down in the air raid is Aikei Inari Shrine, which is becoming an abandoned house in name only. The god lord Kimimaro Ushiki ran a mask factory with the cooperation of five widows, and originally survived every day desperately trying to buy and sell the dark.
, his only son, Kentaro, who was thought to have been killed in battle, returns. He spent three years in a prisoner of war camp with his memory lost, but he used to play for the baseball team and regained his memory through baseball. He was all excited to make a fresh start to a brilliant future as a professional baseball player. However, in the meantime, the shadow of GHQ creeps in: Kentaro is accused of being a war criminal and falls into memory impairment again due to shock, and struggles to recall his memory, but the recovery of that memory means...
will his memory return, a story of "memory" that must not be forgotten.

[Highlights]
Hisashi Inoue× Tamiya Kuriyama× Atsushi Yamanishi× Kohei Matsushita The strongest tag team again!
Directed by Tamiya Kuriyama, who has been indispensable to Inoue's works since the premiere, Atsushi Yamanishi, winner of the Best Actor Award at the 27th Yomiuri Theater Awards, for Kimimaro Ushiki, and Kohei Matsushita, who won the Newcomer Award in the Theater Division of the 73rd Agency for Cultural Affairs Arts Festival for his son Kentaro for "If I Live with My Mother," and is now dropping flying birds. I want to tell this story now, to a generation that does not have the war as their own "memory".
At a time when post-war reconstruction was not yet possible, the dialogue that unfolds with the heavy theme of each position and speculation that develops over Japan, war responsibility, and memory from the perspective of the common people is laughter and tears, and is delivered as a tragicomedy that fits in easily.
Performances Homepage http://www.komatsuza.co.jp/program/index.html
Appearance
Staff
Schedule <Period>
2023/8/4 (Fri) 〜2023/8/30 (Wed)


<Schedule>
8/4 (Friday) 15:00
8/5 (Saturday) 13:00 / 18:00
8/6 (Sunday) 13:00
8/8 (Tuesday) 13:00 / 18:00
8/9 (Wednesday) 13:00
8/10 (Thursday) 13:00
8/11 (Friday / holiday) 13:00
8/12 (Saturday) 13:00 / 18:00
8/13 (Sunday) 13:00
8/15 (Tuesday) 13:00 / 18:00
8/16 (Wednesday) 13:00
8/17 (Thursday) 13:00◇ / 18:00◇
18/18 (Friday) 13:00
8/19 (Saturday) 13:00 / 18:00
8/20 (Sunday) 13:00
8/22 (Tuesday) 13:00 / 18:00
8/23 (Wednesday) 13:00
8/24 (Thursday) 13:00
8/25 (Friday) 13:00
8/26 (Saturday) 13:00 / 18:00
8/27 (Sunday) 13:00
8/29 (Tuesday) 13:00 / 18:0<0 br /> 8/30 (Wednesday) 13:00
* Performance time: 3 hours (including intermission)
◇17th (Thu) 13:00/18:00.
Ticket Fee General: 10,000 yen
(all seats reserved, tax included)

This ticket is [Telephone reservation] are also available.
confetti ticket center0120-240-540(Weekdays 10:00~18:00)

first-come, first-served basisCustomers who purchase
★ first-come, first-served first-served advance will be able to pick up their tickets at the Seven-Eleven cash register from 10:00 a.m. on
Saturday, May 13.
+ Ticketing Fee
Venue Kinokuniya Southern Theater TAKASHIMAYA
Remarks
Organizations Overview

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